Abstract: A journey between the years 2014-2018 for events, artistic activities organized by collectives, groups and / or proposals of independent artists as well as virtual spaces was enough to discover the amount of expressions of art that arise in the country whose main argument is diversity and whose purpose is to reverse the pathologization and exclusion of corporeality, however, these initiatives have not been made visible or divulged, given their relevance in the world of the arts, being transgressive expressions that enrich and nourish the concept of diversity in its most large.
Being a feminist research is positioned theoretically and politically from the concept of the body as a territory of struggle recognizing the existence of a body knowledge in which a "significant body" is involved in the production of knowledge, observation, and participation of and from bodies. Contrary to the concepts that reproduce heteronormativity and immovable stereotypes about femininity and masculinity imposed by patriarchy. That said, to question whether Can art resignifies corporalities and diversity? it becomes the main question of the investigation, which will be answered from the revaluation of everyday knowledge. According to Bach, on "the centrality of the concept of experience as a key to feminist theory" experience that is articulated with fundamental themes for the movement, such as subjectivity, sexuality, the body, and political activity "(Bach 2010, p. 35).
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